David and Jonathan are two innocent-looking young men who meet each other amidst the prowlers in the park late one night - at least that is what seems to be the case at the outset. Just behind their angelic facades, however, are devils in disguise. This 'second skin' is what we get to see - details from the boys' public and private lives. The hard, cold facts from the story of ...(展开全部)

David and Jonathan are two innocent-looking young men who meet each other amidst the prowlers in the park late one night - at least that is what seems to be the case at the outset. Just behind their angelic facades, however, are devils in disguise. This 'second skin' is what we get to see - details from the boys' public and private lives. The hard, cold facts from the story of ...(展开全部)

丸尾末广日本漫画家，于1956年1月28日，生长在长崎县的岛原市。中学毕业后，十五岁便到东京生活，经过连番职业上的更易转替，最后在1980年终于以《缎带骑士》冒出漫画家的身分来。他除了绘画及插图外，同时隶属于「东京伟大木偶戏团」，以演员身分活跃其中。他曾说自己的兴趣是在晚上的墓地中散步，著作有《蔷薇色的怪物》、《梦的Q－Saku》、《DDT》、《少女唾沫》、《臆想狂明星》等等。

丸尾末广日本漫画家，于1956年1月28日，生长在长崎县的岛原市。中学毕业后，十五岁便到东京生活，经过连番职业上的更易转替，最后在1980年终于以《缎带骑士》冒出漫画家的身分来。他除了绘画及插图外，同时隶属于「东京伟大木偶戏团」，以演员身分活跃其中。他曾说自己的兴趣是在晚上的墓地中散步，著作有《蔷薇色的怪物》、《梦的Q－Saku》、《DDT》、《少女唾沫》、《臆想狂明星》等等。

《大消息》是美国彭博新闻社首席艺术评论家马丁•盖福德的新书。该书汇集了世界著名画师大卫•霍克尼与盖福德十年间的谈话。配合精选的作品插图，本书呈现给读者的是大师对艺术创作的执着以及不断创新的努力。《大消息》是这位享誉盛名的英国画家的一幅独特而迷人的自画像。

《大消息》是美国彭博新闻社首席艺术评论家马丁•盖福德的新书。该书汇集了世界著名画师大卫•霍克尼与盖福德十年间的谈话。配合精选的作品插图，本书呈现给读者的是大师对艺术创作的执着以及不断创新的努力。《大消息》是这位享誉盛名的英国画家的一幅独特而迷人的自画像。

When David Shannon was only five years old, he wrote and illustrated a story in which an unruly little boy breaks all of his mother's rules -- he jumps on the beds; he chews with his mouth open; he plays ball in the house. Any child who is tired of hearing his parents say "No " will readily identify with this boldly illustrated, comical story.

Jacques-Louis David (1748-1825) was the most important European artist in a period of extraordinary upheaval. A participant in the French Revolution, he then witnessed the rise and fall of Napoleon Bonaparte. A revolutionary in both art and life, David took painting away from the frivolity of the Rococo towards the dramatic moral force of neoclassicism. Passionate, intense, fie...(展开全部)